Bros Being Bros: The Resurrection of the Rom-Com
Billy Eichner provides a hearty dose of good old fashioned romance with a lot of laughs

Albania, 1958. Luana, the daughter of a well respected man in the village, makes friends with Agim, who moved here after his family were banned from the city by the communists. Years later, their childhood friendship turns into teenage love, but without prospects. Luana’s father promised her in marriage to someone else when she was a child. When her father finds out about Luana and Agim’s love, he is furious and immediately arranges for his daughter to be married to the man he chose for her. Luana faces a dilemma: to flee with her lover to Germany, risking being caught by the communists and probably killed, or stay loyal to her family. A poignant love story set in dark times shaped by pressure from old traditions. A deeply human tale about freedom, which is the greatest good even if the price is loneliness.
Billy Eichner provides a hearty dose of good old fashioned romance with a lot of laughs
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.