“Leviticus” and Leviticus
Like most young people, Leviticus is imperfect. But I love it anyways.
The Affairs of Martha (1942)
Members of a well-to-do small community become worried when it is revealed that one of their maids is writing a telling exposé.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Members of a well-to-do small community become worried when it is revealed that one of their maids is writing a telling exposé.
Rating:NR
Genre:Romance, Comedy
Written By:Isobel Lennart
In Theaters:6/21/1942
Box Office:$375,000
Runtime:66 minutes
Studio:Metro-Goldwyn-Mayer
Cast
Jules Dassin
Director
Marsha Hunt
Martha Lindstrom
Richard Carlson
Jeff Sommerfield
Marjorie Main
Mrs. McKissick
Virginia Weidler
Miranda Sommerfield
Spring Byington
Sophia Sommerfield
Allyn Joslyn
Joel Archer
Frances Drake
Sylvia Norwood
Barry Nelson
Danny O'Brien
Melville Cooper
Dr. Clarence Sommerfield
Inez Cooper
Mrs. Jacell
Sara Haden
Mrs. Justin I. Peacock
Articles You May Like
“Terrace House”: The Kinder, Gentler Japanese Alternative to Reality TV
"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.
'Life & Beth' and 'Sort Of' - Two New Series Bravely Lose The Labels
J Brooke, Incluvie Guest Columnist on 'Life and Beth' and 'Sort of': while living one’s truth is freedom, speaking it as a mandatory assignment can become captivity.
"Waves" Goes the Wrong Direction in Racial Depiction, Despite Its Intent and Beauty
Spoiler Warning
"Inside Llewyn Davis" Is a Stunning, Melancholic Tale of Failure
The Rise of a Kindhearted Comedy Hero: The Anti-Toxic Masculinity Message of Brendan Fraser Films
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.