
A young girl named Yishu believes she has no luck at all and she blames her name for it. One day she starts receiving phone calls from people thinking that she is the popular singer Tianyou. It turns out that someone has leaked 600 phone numbers of famous people to the internet and Yishu's phone number got mixed up in the bunch. She finds it annoying at first but soon she receives a text message from Xiaowen, who is the singer in an amateur rock band. He wishes to write a song for Tianyou and wants Yishu -who he thinks is Tianyou's assistant- to deliver the song to Tianyou. Tianyou is a popular singer, but hasn't had a hit number lately. Because of this she gets pressured by her cruel agent into recording an album that she doesn't want to record, because it doesn't contain any good songs. This decision gets her into a lot of trouble...
Adapted from a 2014 novel by Atticus Lish, Preparation for the Next Life is the feature film debut of documentary filmmaker Bing Liu. With the help of screenwriter Martyna Majok, he paints a realistic and somber portrayal of Aishe, a Uyghur immigrant, as she struggles to make a living while undocumented in the United States.
In 1977, Star Wars changed the world. It took the universe by storm, completely redefining everything everyone knew about movies. But then, in 1980, The Empire Strikes Back changed Star Wars. Sequels were not as well regarded back then as they are today.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
The way Jeannette has to deal with child neglect makes her insecure about her parents and how she was brought up and raised in the United States. This continues into adulthood, where Jeannette becomes a successful journalist and is frequently asked about her parents by others.
'Ganja & Hess' is a 1973 experimental horror film, written and directed by the visionary auteur Bill Gunn. It was meant to be a straightforward blaxploitation film – but director Gunn had grander ambitions.