Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

We are set against a polluted, megalopolis world. We follow the tragic tale of Jeffrey Brief (Rodrigo Lopresti); Faced with the imminent loss of his crucial health insurance, Brief unwittingly unravels a dark truth behind his insurance company. He is subsequently pushed to unspeakable lengths in an attempt for survival.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
This coming-of-age Mexican movie is about a group of school children who fulfill their dreams.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
For viewers who love eating burgers, shakes and fries on the go along with a tasty side of nostalgia.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
Although not canonically aromantic or asexual. the stories and personalities of these Disney princesses resonate with members of the aroace community.