Finding Happily Ever After in Disney's 'Disenchanted'
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.

The exciting crossover event begins when Raven Baxter checks into the swanky Tipton Hotel while on a business trip with her designer boss. Zack and Cody get into the action when the models for Raven's photo shoot take a detour and Raven has a spooky premonition about the twins' fate. Meanwhile, Maddie comes up with a plan to get London to wear one of Raven’s new dresses. It almost backfires until London finds out that super pop star Hannah Montana wants a Raven original to wear on her new tour.
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.
'Brother' is a gripping family drama with dazzling performances all around.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.