
Archival footage of the 40s of the 20th century alternates with the narrative of the main character. He received his military service as an internal intelligence courier. The hero recalls the Inquisition of the arrested, who were interrogated in the building at the address "Tetevenska" 24. The film is a portrait of a little man caught in the twists and turns of history. The hero is torn between the pain of his memories and the need to expose them to the ideological canons of the 80s. For the background of this drama, the impassive faces of today's residents of this house are very far from what ever happened in it. —Georgi Djulgerov
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
With raw and unapologetic performances by Viola Davis and Chadwick Boseman, stories about the hardships of Black musicians are weaved in with The Blues.
Christopher Nolan transforms Homer's ancient epic into one of the most breathtaking cinematic spectacles of his career. While its nonlinear storytelling and exposition occasionally hold it back, The Odyssey is a visually stunning, emotionally resonant blockbuster that demands to be seen on the biggest screen possible.