Takeaways on Cutaways
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.

Returning from a steamy excursion with her lover, Hee Ra finds her husband dead in her bedroom. Although Hee Ra has a solid alibi, detective Min Ho’s intuition points to the wife as the murderer. In search of evidence, the detective begins to observe her daily routine, but gradually he is spellbound by her irresistible charm. Then another suspect appears, someone from Hee Ra’s past, whom Min Ho believes to be the culprit. Seeing the closure of the murder case, Min Ho and Hee Ra become closer than ever. But past secrets reveal themselves, taking Min Ho to the point of no return…
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
t’s relatable and heartbreaking all at once, and it’s impossible to watch Happy Together without reflecting on oneself. The film is stunning in every aspect, and is a vital piece of LGBTQ cinema.
Unrelentingly funny, highly entertaining, and ridiculously absurd, My Movie Starring Paul Dano is, according to its creator, Joe Bartone, a tribute to the willful ignorance of independent filmmaking found in the late '70s in New York City. Developed through open discussions with the cast at the reading table, the mockumentary follows a delusional and fame-starved indie director, Herman Rumowicz, through the process of making his very first feature movie starring Paul Dano.