'Moonlight': A Retrospective on Barry Jenkins' Masterpiece
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.

Temple is a guided CGI tour through a ghostly nightclub of evacuated London: a space filled with ethereal dance anthems of the near future. Originally created for a site-specific installation at central London art space 180 The Strand, the video continues his series of virtual worlds that explore the role of memory in an age of simulation. For the exhibition, Lek made a physical version of Temple, the karaoke club originally featured in his feature-length CGI film ‘AIDOL’ (2019), where the fading popstar Diva plans her comeback with an AI ghostwriter. The soundtrack filled the neon-lit room, while screens displayed video game walkthroughs of a new subterranean tunnel that leads virtual ravers from Temple Tube Station to Diva’s club, through the burning rubbish bins of a future-wracked London. Referencing the Japanese meaning of kara-oke—‘empty orchestra’—Temple is a nightclub after the party ends; a place devoid of humans; a sonic architecture filled only with ghosts.
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.
With This is Us now on its fifth season and A Million Little Things on its third, we have a lot of material to entertain the hypothetical: if these two shows got in the ring together, who would come out victorious? Despite the endless recognition for the former’s success, I dare say I’d put my money on A Million Little Things once all is said and done.