Celebrating her upcoming marriage, bride-to-be Jo invites her childhood friend, and first love, Scarlet, on a girls’ trip to a country manor. However, despite drifting apart as adults, unresolved feelings still linger between them while the rest of the group enjoys the weekend away. With Jo about to embark on a new stage in her life, but struggling to let go of the past, she reflects with Scarlet on the young girls they once were, and the women they are becoming.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
A movie that brings Indian culture with classic Bollywood themes and electronic dance music.
