The Relentless Victimization of Marilyn Monroe in "Blonde"
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.

Brother Marie-Victorin was 46 when he met 23-year-old Marcelle Gauvreau. Both have been close to death and share the same love of God and Nature. He becomes her teacher, later she becomes his assistant. Their friendship evolves. Marie-Victorin offers Marcelle different readings on sexuality that she hastens to comment on from her own intimate experiences. In an epistolary exchange that will last until the death of Marie-Victorin, they explore human desires and "biology without a veil". This great chaste love, the love of Quebec's flora, pushes them to question their own relationship with love and Nature.
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
The Vietnamese perspective is not only completely ignored in 'The Greatest Beer Run Ever', but it is blatantly whitewashed and disrespected.
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.
With the start of the new season we're excited for all of the April new movie releases, some of which our writers here will cover in individual reviews throughout the month.
Coolie promised style, action, and Rajinikanth’s mass presence, but did it deliver on substance? Here’s my full review on whether Lokesh Kanagaraj’s film lives up to the hype.