The Charmed Reboot Deserves More Respect
This magical reboot introduces a new set of Charmed ones, much to the ire of fans of the original series.

It's true, there's nothing good on TV. 'TELE-VISION' is a different story, however. This season we're skinning into your living room to grab the remote and tune you into our finest backcountry ski flick yet. A strange "El Nino" year forced us to climb further, dig deeper and flat out try harder in order to create a film worthy of "A Powderwhore Production". Mission accomplished. 'TELE-VISION' is our continuing tradition of filming the top telemark skiers in the world playing in untracked powder mixed with big lines, humor, flight time, spills, and all the required deep face shots of a good ski porn. So put on your snuggie and top off the bowl of cheetos while you enjoy the program!
This magical reboot introduces a new set of Charmed ones, much to the ire of fans of the original series.
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.
Indie director, Niki Caro (known for 'Whale Rider') directs the live-action 'Mulan' and sets another example of strong females fighting against gender inequality.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.