Oscar tries to rebuild the withered body of a girl who's keeping alive. This obsession breaks down his perception into disturbing dreamscapes.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
A homeless girl faces depression and uncertainty during the holidays.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.
