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Director
Abella Danger
(archive footage)
Samantha Hayes
(archive footage)
Danni Rivers
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Renee Roulette
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Chloe Scott
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Adria Rae
(archive footage)
Skylar Vox
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Aubrey Luna
(archive footage)
Mick Blue
(archive footage)
Richie Calhoun
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Toni Ribas
(archive footage)
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
Carolina Caroline follows Caroline (Samara Weaving), a bored young woman dreaming of escaping a small Texas town where nothing ever happens. When she meets Oliver (Kyle Gallner) at her workplace while he is conning the owner, she sees her perfect opportunity to get out. Their whirlwind romance strongly echoes Bonnie and Clyde, as the two quickly embark on a bank-robbing spree.
Kate Winslet and Saorise Ronan deliver stellar performances in a film that doesn't live up to its potential.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)