War is Not the Answer: Music in “Da 5 Bloods”
Marvin Gaye's powerful music addresses the same themes as "Da 5 Bloods" and elevates the film to even greater heights.

The story revolves round three teenagers - Prageeth (Roshan), a younger, darker version of Hugh Grant, the son of a business tycoon (Corea), whose fiance is Veena (Anarkali); Sithum (Pubudu), the son of a Postman (Jayalath) is in love with Pooja, (Chathurika) while Ramith who says he comes from the middle class, and is seduced by his biology teacher who as luck would have it lives in an apartment directly opposite his block of flats, nevertheless, voices every teenagers views of life when he says all he wants to do is to take things easy.
Marvin Gaye's powerful music addresses the same themes as "Da 5 Bloods" and elevates the film to even greater heights.
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
The Bluff unravels its mystery slowly, opening on the capture of a ship captain named Bodden (Ismael Cruz Córdova) and the swift execution of his entire crew. Then, viewers are treated to a tranquil British settlement in the Cayman Islands in the 1850s, where a mother bakes a coconut birthday cake for her son in a house suspiciously rigged with makeshift tripwires and burglar alarms. As it turns out, that mother is Priyanka Chopra’s quick witted and resourceful ex-pirate Mrs. Ercell Bodden, and her husband’s captors are on the way to the island to hunt her down for abandoning them and stealing their loot. The pirates of the Libertas land on the beaches of Cayman Brac, and the scenes that follow show a Viking-esque slaughter of half the island.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.