‘También la Iluvia’: A Lesson in Shallow Representation
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.

A coming of age sci-fi splatter comedy with a dash of Hong Kong style action - TEDDY BOMB is the story of a beer delivery boy named Christian who stumbles upon a ticking time bomb that also happens to be a sentient stuffed animal: A talking teddy bear that can melt your face off. He can't get rid of it, he can't go to the police, and there's no way in hell he can turn it off. To add insult to injury, the bomb's original owners want their property back and they'll decapitate, gut and eviscerate everyone that gets in their way. Whether Christian diffuses the bear or not - it's guaranteed that things will end in one big bloody bang.
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
Can a homeless yet optimistic teenage girl learn to accept a helping hand?
'Jungle Cruise' is fun if you can ignore the racism of the ride it’s based on and the film’s bland, stereotypical characters.
Have a Good Trip offers a rather balanced look at psychedelic use. While its main narrative is the stories of recreational use by celebrities, it does delve into the medical history of psychedelics and its use in psychotherapy.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.