Oleg Sergachev was one of the best drivers in the taxi company. He got along with everyone and lived by the principle of "you scratch my back, I'll scratch yours." He wanted for nothing, living for himself and the woman he loved. But when a new director came to the taxi company and started laying down the law, the hero felt uncomfortable.
Mahershala Ali and Naomie Harris, with an economy of language, but a world of expression, weave us inside this futuristic tale of how your “one true love” may exist in the future in Benjamin Cleary's 'Swan Song.'
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
A film loosely based on the fairy tale Hansel and Gretel, with major twists to the original story.
