Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

Sarah, a preacher's daughter comes to the big city to study journalism. The Professor asks Sarah to find a story to write by the end of the semester. Sarah is introduced to Kand'e and other exotic dancers in the LGBTQ community. Sarah who is struggling with her religion is intrigued by Kand'e'. Then there's Chad, who reminds Sarah of the good ole boys back home. Who will she choose?
Eddington attempts to capture how media is intertwined with the uncomfortable present.
Jeff Aquino’s film “Viral” placed second in 2020’s Incluvie Film Festival fest, he’s back again with his film "An A Peel for Justice".
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
Cursed is based on Frank Miller’s graphic novel, and is a retelling of the Arthurian legend with a twist. Instead of King Arthur gaining Excalibur, a teenage sorceress named Nimue (Katherine Langford) does. Her people — the Fey — are being hunted down, and so Nimue will do whatever it takes to save them.
In 1971, when discussions about how to integrate their school system break down, the community of Durham, North Carolina agrees to bring in Bill Riddick(Babou Ceesay) to conduct a series of summits(charrettes) to help them move forward with desegregation.