Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Propaganda movie. Contrasting the cruel orders of the tsarist army with the conditions of service in the Red Army. Taras, a Red Army soldier, accidentally finds a bottle of moonshine. Being tempted, he gets drunk and falls asleep. In his dream Taras sees himself as a soldier of the tsar's army. Having left his post arbitrarily, he finds himself in the apartment of a frivolous girl and here he meets a general.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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