Parasite and Capitalism: What the Film Says About the Pursuit of Wealth
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.

An airplane carrying coffee beans from South America has some unpleasant stowaways: a hoard of tarantulas which overcome the pilots as the airplane is flying over an orange-producing town in California. The airplane crashes, and the unlucky inhabitants of the town release the venomous spiders into their midst. Once the town's officials discover that the tarantulas are responsible for several deaths, the tarantulas have already descended upon the town's only orange-processing factory. The town's citizens risk their lives to remove the tarantulas from the factory while the venomous pests are rendered motionless by the transmitted sound of buzzing bees
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
As a musical fan, I enjoyed the film and encourage anyone who likes dark humour and a bit of blood to give it a watch.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
The live-action remake brings adventure and shows viewers why representation is important in a Disney Princess movie.
2026 ranks highest in Oscars history for its representation of minorities in all categories, and that’s definitely something to be celebrated.