The story of Yamin Masika, the “Don Quixote" of Israeli cinema — a director, social activist, and cultural entrepreneur who played a pivotal role in transforming Mizrahi culture from the margins to the mainstream. In the 1990s, after repeated rejections by the Israeli film industry, Masika began creating underground, low-budget films and music videos featuring Mizrahi artists like Avi Bitter, Tamir Gal, Moshe Cohen, Sarit Hadad, and Zehava Ben. Though ridiculed and dismissed by the establishment, these films resonated deeply with audiences who had been excluded from mainstream media for decades, leading to a cultural revolution.
The film is trying to revive DC's former glory, it really is, it just doesn't have everything it needs to get there. Luckily, Black Adam isn't as bad as many internet haters want you to think it is.
Much more than a meme, 'Barbenheimer' actually diversifies viewer bases and spreads the important message of both films wider than they otherwise would have!
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
The newest Pedro Almodóvar movie, Pain and Glory, focuses on an aging and debilitated filmmaker, Salvador Mallo (played by Antonio Banderas) reflecting on his life in his old age.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
