
Get laid, get paid! Tanya Tate is training lesbian teens to seduce sex starved housewives in her game of extortion. Jasmine Summers signs up for the academy but does she have what it takes to trap a cougar? Tanya Tate demands a taste of the newbie and gives Jasmine's pussy a seal of approval. Baby sitter Chloe Amour slips up and sexes Jenna Sativa, the teen she's watching, instead of the girl's mom. Tribbing, rimming and spooning are on the menu as they go from video games to girl-on-girl fucking. Jaclyn Taylor is in the mood for some special servicing from her daughter's baby sitter and Elektra Rose is more than willing to comply. Not all the sitters are pros as a complaint by customer Cherie Deville about Cali Carter brings Tanya in to make things right the only way she knows how...with an orgasmic three-way. Tanya is looking for a few bad girls who don't mind using their bodies for financial gain in Tanya Tate's Baby Sitting Academy!
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
Based on Bethany's autobiography "Soul Surfer: A True Story of Faith, Family, and Fighting to Get Back on the Board," this heartwarming film tracks the struggle to pursue normalcy and ambition after a major injury.
Trolls: World Tour doesn’t just pay lip service to diversity and inclusiveness. There is no white-washing of the voice actors. From the actual K-Pop group Red Velvet voicing the K-Pop Troll bounty hunters to Keenan Thompson playing the Tiny Diamond baby to Kunal Nayyar’s Guy Diamond, the cast includes more than just token minorities.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.