Mogens Wieth is a songwriter who lives beyond his means. He is expecting to inherit a fortune from his Aunt Tut in Paris, who is old and filthy rich. He has been corresponding with her for many years. In reality, Aunt Tut is dead, and it is her daughter who writes the letters. A young singer who wants to ingratiate himself with the songwriter claims that he knows the aunt and that she is coming to Copenhagen. He has persuaded an older actress to play the role of Aunt Tut. Unfortunately, the aunt's charming daughter also arrives in Copenhagen at the same time, setting the stage for costly episodes and amusing complications...
Peer Guldbrandsen
Director
Mogens Wieth
Claus Hiller
Lily Weiding
Asta Hiller
Henning Moritzen
Bent Larsen
Ellen Gottschalch
Dagmar Anastasia / Tante Tut
Helle Virkner
Tove / Lille Tut
Jakob Nielsen
Kontorchef Iversen
Preben Lerdorff Rye
Arthur Blume
Mogens Brems
Aage Winther-Jørgensen
Betjent
Else Jarlbak
Fru Michelsen, pensionatsværtinde
Børge Christiansen
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
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Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.