Everyone’s Welcome in IT: Welcome to Derry
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.

Tank is an investigative reporter and jailbird, framed on scant evidence supplied by the London mob. Helen is the sensuous call-girl who offers Tank ammunition and retribution. But, retaliation is swift and brutal, in the guise of Sir Robert Knights and his equally lethal lawyer, Dunboyne. A series of hideous murders follow as the devil protects his own. Only Malling and Helen can halt the onslaught. But, for how long, and at what price?
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
John Fawcett’s "Ginger Snaps" intertwines the lore of the werewolf to the hellish experience of a young girl going through puberty.
I understand that this would have been consistent with the language used by that generation, due to its role in the medical profession, however as someone who has family members with Down Syndrome I took it very personally.