The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

A beautiful girl, Yōko, gets lost one night during an air raid and is taken in by an orphanage. Eventually, she is reunited with her own family and goes home to live with them. But there, an unexpected fate awaits her as she is subjected to horrific brutality from these people who are tortured by a past mistake.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
Miss You, Love You brings together two people who were meant to find each other at that moment in their lives.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
Lindsay Lohan makes a big film comeback in this amazing holiday comedy of the year.
Seeing that the film was essentially his first big, mainstream feature, and with garnering a leading role — portraying the revolutionary ball-player Jackie Robinson — Boseman, without question, delivered a performance that is still so incredibly moving, respectful, genuine, and true to the core of his obviously sincere, artistic heart; and with that, it is indeed so saddening to see him pass.
This film’s ambition is betrayed by its lack of substance.