'Men' Disappoints with a Flat Examination of Misogyny
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.

Talk Show is the final film in Jordan Strafer’s Loophole trilogy. The narrative unfolds across two periods of time: the turn of the millennium, shot in color, and the afterlife, shot in black and white. Structured around a talk show, the work examines 1990s celebrity culture, violence against women, and justice as televised spectacle. Its screenplay draws on sources ranging from news footage to self-help media, blending historical fact with fiction. [Overview courtesy of The Whitney]
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
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