Why Wish and similar Disney films don't work
Disney movies have taken a bit of a downward turn recently. How come?

Ahmed (Ahmed T. Ragheb), an Egyptian-American aspiring actor, anxiously awaiting news of his latest film audition, gives in to his superstitions and sets off on a journey across Pittsburgh, trying to force the hands of fate. Lily (Grace Cooper), a photography student, meanwhile, criss-crosses the city unseen on a journey of her own, photographing and recalling scenes from her past.
Disney movies have taken a bit of a downward turn recently. How come?
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
A documentary film about a disabled female athlete who builds courage within herself and seeks faith.