Incluvie Classics - 'Ganja & Hess'
'Ganja & Hess' is a 1973 experimental horror film, written and directed by the visionary auteur Bill Gunn. It was meant to be a straightforward blaxploitation film – but director Gunn had grander ambitions.

Uzuku Kage," in which a mysterious man who looks like a "shadow" appears behind the back of a woman mentally trapped by her power-harassing boss; "Kataude no Hana," about a high school boy who is attracted to and played around with by a woman with one arm; and "Bakuba," about a young man who feels guilty about eating and defecating due to childhood trauma and a woman who works at a coffee shop. A young man who feels guilty about eating and defecating due to childhood trauma and a woman who works at a coffee shop fall into the realm of love that should never be touched in "Bataille's Table. The stylish images intersecting the episodes depict a man and a woman, each with their own secrets, who transcend their relationship of submission and domination to reach a perverted love.
'Ganja & Hess' is a 1973 experimental horror film, written and directed by the visionary auteur Bill Gunn. It was meant to be a straightforward blaxploitation film – but director Gunn had grander ambitions.
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The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
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