‘West Side Story’ (2021) Improves on and Is Limited by the Original
Steven Spielberg's West Side Story (2021) improves on the original's terrible representation, poorly written romance, and more. --> check out reviews & film summary

“Taking Shelter” is a feature film made of other feature films - Canadian feature films. Over 400 Canuck flicks from the 1970s and 1980s - the notorious ‘tax shelter’ or ‘springtime for Hitler’ era - will be broken down and recombined into a new, single storyline, in which aliens posing as Americans invade Canada and conspire to turn the lives of everyday people into cinema! Hilarious, compelling, tightly edited fragments of countless forgotten science fiction, horror, docudrama, romance and action films will splinter, recombine and transform before the eyes of the viewer. “Taking Shelter” is an unprecedented and groundbreaking experiment in ‘fair use’ found-footage cinema.
Steven Spielberg's West Side Story (2021) improves on the original's terrible representation, poorly written romance, and more. --> check out reviews & film summary
"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.
The latest installment in the beloved media franchise is a unique stylized mesh of humor and heart.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
This Halloween movie is a remake of the 2003 movie of the same name with Black representation.
Coolie promised style, action, and Rajinikanth’s mass presence, but did it deliver on substance? Here’s my full review on whether Lokesh Kanagaraj’s film lives up to the hype.