Features Kitten Natividad as Betty Bigwuns who is longing for an open spot on a TV series, but whose measurements are not going to fit comfortably onto a TV screen. In desperation, Betty goes to Dr. Buzz Raunchy to see about the latest diet fads, to a psychiatrist named Lucifer Chaser to handle the trauma involved, and to Fosdick's Fat Farm. While Betty is working on her measurements, strippers continue on with the show at the Little Playhouse -- run by a Ms. Little. Nudity, striptease acts, and bawdy jokes fill the screen as Betty and her bustline provide the central focus.
I highly recommend Dark Waters. It’s a highly engrossing picture, which lends itself to cautionary storytelling. The dark information continually grows, inspiring change and accountability altogether. Overall, Haynes’ picture will not be known for its inclusiveness--but it will be known for being a fantastic, engrossing film.
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.
Wild Child tells the story of a wealthy, spoiled teenage girl named Poppy Moore who lives in Malibu, California, who attends a boarding school in England. This film shows us how Poppy is first labeled as a fish out of water compared to her boarding school classmates, as she is a wild child, but eventually earns her roommates' friendships and respect.
This reboot of The Wonder Years is told from the lens of a Black man.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
