Take It or Leave It is an autobiographical account of the cult '80s British pop group Madness, with members of the group playing themselves, charting their rise from humble beginnings as pub band The Invaders to chart success and their first overseas tour. The film follows the ups and downs of individual members of the group, and features all of their early hits including The Prince, One Step Beyond, Baggy Trousers, and Night Boat to Cairo.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
Make no mistake about it, Gilligan has created a continuation that earns its place in the annals of Breaking Bad lore. El Camino isn't a forced entry in an otherwise brilliant world of fiction. This is a satisfying take, which manages to give closure to an iconic character of fiction.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
All in all, 47 Meters Down: Uncaged is a film I would recommend. It promotes the bond of sisterhood, which in this case is clearly thicker than blood, as well as courage. No one truly knows how strong they are until they go through something unimaginable and come out changed for the better.
