Pastry chef Ben van Bommel runs a hitherto successful bakery, but lately run into trouble with the tax service. In order to save his business, he succumbs to criminal temptation. So he's persuaded to bake a cake with a valuable 'secret ingredient': smuggled drugs. Nobody could have foreseen the wide ramifications, such as who ends up saving Ben's bacon.
If you are a discerning movie watcher and/or an African-American with a modicum of Black consciousness, this film isn’t for you. It would be better to watch the documentary ‘They Fight’ to see the impactful, emotional story of Walter Manigan and the young men of DC’s Ward 8.
Star Wars is better if you believe that Luke Skywalker is gay. You can't change my mind.
It’s no wonder Peele won an academy Award for Best Original Screenplay. His script is layered with perspective and subtlety. Through a terrific vision, Peele creates the gift that keeps on giving. The clues and symbolic representations are aplenty, and as each viewing passes, you are destined to find something new. That’s a mark of great cinema.
This reboot of The Wonder Years is told from the lens of a Black man.
The thing is, people like Wahlberg will only apologize if they have something to lose, which he did. His glamorous life, his reputation, and his career were all at stake.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
