Halt and Catch Fire's Trailblazing Queer Representation
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.

Tia Madre is a horror story told through the eyes of a child: a clingy, hyper-imaginative and slightly twisted 10-year old girl named Camille whose mother Emilia inexplicably changes into something else, something more sinister, something more violent, something more distant, something that isn’t her mother anymore and quite possibly isn’t human.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
If you’ve been itching for a sign to finally go on that unforgettable summer camping trip, this is it.
The 'Hawkeye' season finale features all kinds of cool characters and resolves its loose plot threads efficiently, yet it's lacking when it comes to the vital development of its characters.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.