Dead to Me Season 2: Blood Proves to be Just as Hard to Get Out as Red Wine Stains
Dead to Me Season 2 pulls together elements of comedy, drama, romance, and thriller to craft this truly gripping series.
Szsplatck
Sebastian's homemade pills pack a punch, and his first customer goes completely crazy. Shortly afterwards, he is mugged and robbed. The perpetrator consumes the loot, the pills, with a buddy, causing both of them to bash each other's skulls in. Sebastian is then mugged again, but this time he fights back with the help of his drugs.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Sebastian's homemade pills pack a punch, and his first customer goes completely crazy. Shortly afterwards, he is mugged and robbed. The perpetrator consumes the loot, the pills, with a buddy, causing both of them to bash each other's skulls in. Sebastian is then mugged again, but this time he fights back with the help of his drugs.
Rating:
Genre:Crime, Horror
Written By:Sebastian Zeglarski
In Theaters:
Box Office:
Runtime:13 minutes
Studio:Moregore Filmworks
Cast
Articles You May Like
Love Stories from the African Diaspora
Here are some of our picks for inclusive Black love stories in film and media. We hope you enjoy these tender love stories and beautiful depictions.
'Indiana Jones and the Dial of Destiny' (2023) Review
This 2023 film serves as the final chapter of the Indiana Jones franchise.
It's 'Christmas In the Heartland' for Two Girls
This Christmas movie gives viewers a friendship that unexpectedly forms from a plane trip.
“Selena: The Series,” a Small Disservice to Selena’s Legacy
'Selena: The Series' loses sight of the story's heart: Selena herself.
"The Father" is a Depressing But Insightful Look at Dementia
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.