It's 'A Loud House Christmas'!
This holiday movie serves as the prequel to the TV series The Really Loud House.

In 17th century Finland young Arvid is forced to marry Brita but their ways soon part when their respective fathers move to different places. Years roll by and Arvid grows up into a handsome and respected Thirty Years' War veteran known for his excellent fencing skills. However, he has fallen madly in love with a local maiden who does not reciprocate his advances, not to mention that his forced marriage to Brita is still valid.
This holiday movie serves as the prequel to the TV series The Really Loud House.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Sing 2 the beat in this jukebox sequel featuring anthropomorphic animals with musical talent.