The Skeleton In The Closet: 8 LGBTQ+ Horror Films Claiming The Genre
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.

A bohemian operetta, full of turmoil and confusion. The complicated yet light-hearted plot is all about making everyone jealous of everyone else. The story begins in a hotel in Tsarist Russia. One by one, guests arrive: the Parisian singer Sybill, Poire, the artist's impresario, and Sarah, Poire's wife. The Grand Duchess, who has accepted an invitation from the city's governor to attend a party in his honour, is also expected. An unexpected guest is Petrov, a Moscow bodyguard who has escaped from his regiment to join Sybil in Paris. A few moments later, the Governor arrives, already aware of Petrov's escape and eager to arrest him. Sybill, who appears on cue, protests vehemently. Seeing her firm action, the Governor thinks she is the Grand Duchess. Sybill, to save the day, takes the role, even agreeing to go to the Governor's ball as Grand Duchess.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
Welcome to Ryan Reynold's world. Dwyane Johnson, Gal Gadot and us are just living in it. Is he acting? I think he is, it's just the question of it's believable anymore.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.
James Cameron’s “Aliens” (1986) is a pinnacle of science fiction storytelling. Within this classic monster movie lies a powerful female character, Ellen Ripley (brilliantly portrayed by Sigourney Weaver).
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
‘Better Than Chocolate’ isn’t perfect, but it sure has charm! The characters are great. Some took longer to grow on me than others, but ultimately they’re all compelling! I appreciate how a select few help those around them to grow.