Why you Must Stream Netflix's new French Horror 'The Swarm'
A film about family and sacrifice... and carnivorous locusts coming after you.

Swing is an experimental short film set on a nearly deserted beach, where two men navigate the fragile boundary between presence and disconnection. First, absorbed in his smartphone, ignores Second, who is desperate for attention and connection. Their unspoken struggle intensifies around a lonely beach swing—an object that becomes both a symbol of longing and a stage for laughter, frustration, and provocation. Through silence, gestures, and mood shifts, Swing explores our modern obsession with technology, the ache of isolation, and the quiet drama of human interaction.
A film about family and sacrifice... and carnivorous locusts coming after you.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.