'Hatching' - Social Media as the Modern Cardboard World
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.

A comical story of a swindler, disguised as a priest, pretending to offer exorcisms for money. A fake priest solicits help from a needy immigrant and they travel the countryside taking advantage of anyone they can find. Eventually, the priest realizes he can make more money by taking his scam to a church. He finds a small local church to offer his services and encounters a woman whom he has conned before. What will he do to not be discovered as a fraud?
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
Mala tripped over in a company Diwali party, which led to unexpected visits and realizations.
The "Daredevil" renaissance is finally upon us! As we return to the Netflix show, let's take a look at the ways the show gets blindness right and wrong.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
'Thirteen Lives' gives a dramatic adaptation of a humanitarian triumph that captured the global imagination.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.