Vicky The Devil is an urban Cinderella drag queen in the quest for a prince charming and her own “happy ending”. One night, Vicky gets hit by Concepcion’s car, an ultra conservative retired teacher addicted to casino slot machines. Despite belonging to opposite worlds, Vicky and Concepcion will become close friends. Their friendship will put to the test when Vicky’s dark side shows its head.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
The movie behind the space toy from the 'Toy Story' film series is finally here.
If you remember the days of the 24 hour Overnight Challenge on YouTube, Secret Mall Apartment will tickle your nostalgia receptors.
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.
