Barely relieved from a serious depression and against the advice of his psychiatrist, Slah, theater director, mentally weakened by his career, announces to his wife Amel, a rich woman who finances his projects, his decision to mount the famous play Essoud (The Dam) of Mahmoud Messadi renowned for its complexity. But the same evening, driving his car, Slah overthrows a young woman named Aisha. At first distraught, he then experiences a strange fascination for this beautiful young girl contrarian who becomes his friend and his muse. Amel, her husband's moral, emotional and financial support, convinced the director of the theater to program Le Barrage. Although suffering in silence of the presence of Aisha, Amel decides for love for her husband to invite the young woman near them, in the field of her parents, in an oasis of the south of Tunisia. A strange three-way household is formed when doubts and suspicions, desires and temptations, love and complexities are revealed.
Yes, Asia is actually quite a large hub for amazing horror films even to this day, some people just never notice! Well, I'm here to change that. It's time to not let those words at the bottom of the screen scare you but instead be scared by some of the best horror you never knew about.
Director Dana Ziyasheva made her directorial debut, 'Defenders of Life' which focuses on the Ngäbe community, and the hardships Ngäbe girls faced in Costa Rica.
Passing is a visually stunning portrayal of Larsen's story with an inclusive cast, and the performances of Thompson and Negga are sensational.
By having two of its most beloved characters go to space in a Pontiac Fiero attached to a rocket, among other antics, F9: The Fast Saga overwhelmingly achieves the task of out-crazy-ing its predecessors.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
