Kill Bill: Volume 1 Review
Kill Bill: Volume 1 is a highly entertaining flick, designed to tap into our levels of adrenaline. Tarantino has crafted a cinematic winner, overflowing with nostalgic richness and a love for cinema.

The shoemaker, Lájošek Cína, is a naive good-for-nothing with his heart on his sleeve, who, as the day grows long, never leaves his shop, where he also sleeps, and his only company is a small stray kitten. One day he is approached by a peculiar truck driver, Martin, who immediately adopts Lájošek as his new driver and becomes his life guide with a plan to rebuild his peaceful life from the ground up. In the Žižkov colony at Krejcárk he meets the charming Magda, with whom Lájošek falls in love and begins to live with her and her four children. Soon after, they are expecting their own and their life would seem ideal, but every happiness comes at a price...
Kill Bill: Volume 1 is a highly entertaining flick, designed to tap into our levels of adrenaline. Tarantino has crafted a cinematic winner, overflowing with nostalgic richness and a love for cinema.
On March 31st, International Trans Day of Visibility, following some COVID related delays, the trailer was finally dropped, and although Taylour Paige and Riley Keough look to impress as lead characters Zola and Stefani, a brief cameo from a queer icon was what convinced me I have to see this movie.
A family adventure film that features Hawaiian culture with a representative director and a diverse cast.
Fire Island is the more inclusive film of the two with the bi-phobic definition of pansexuality in The Thing About Harry and its obvious lack of colour on screen
An unlikely friendship changes the hearts of men, and helps a young boy come into his own.