"The Woman in Cabin 10" (2025) Should Have Stayed Faithful to the Book
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.

Malvivir tells in first person the secret life of the rogue Elena de Paz, a free, rebellious, thieving, ingenious, deceitful and fugitive woman who defies all the conventions of her time and pays the price of her freedom. A tragicomic journey to the dark side of the Golden Age, a reflection on freedom and survival and a rescue of the female picaresque literature of the Baroque.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
Peppered with whimsical humor, heartbreaking realizations, and heartwarming discoveries, The Incomer is surprisingly endearing through and through.
Eternals is an interesting concept and unique visuals, but slow pacing and rushed character development suggests it should have been a mini-series.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
'Airplane Mode' is a young adult movie that is about a woman who learns to step away from her smartphone, and from social media.