‘The Wrong Missy’ is a Miss
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.

In the wake of the new Civil Rights Movement it is important to tell Black stories from those who actually live it. Shoot first and ask questions later, lynchings, redlining, policing of hair, food deserts, underfunded schools are just a day in the life struggle of being Black in America.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Friendships are tested when two girls have a crush on the popular boy at school.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
The external threat invaded the domestic environment at the most valuable moment: grieving.
Korean culture shines in this Canadian export.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.