
A mysterious foreign woman who is staying temporarily in a house there. Who she is and what her secret is are both slowly revealed in the reconstruction of a story about passion, revenge and war. Paul Ruven's homage to the films of Marguerite Duras and Chantal Akerman.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.