Looking Behind the 'Z-O-M-B-I-E-S' Trilogy
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.

Shot as something of an afterthought to Le Theatre national populaire, during the fortnight in July 1956, when Franju and his crew had to wait between the two Avignon theatrical performances that were to feature in the longer film.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
An attempt to capture nostalgia that unfortunately just doesn’t work
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
J Brooke, Incluvie Guest Columnist on 'Life and Beth' and 'Sort of': while living one’s truth is freedom, speaking it as a mandatory assignment can become captivity.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.