
One of the most charming British bands of the last decade, Supergrass managed to fit in everywhere but not be part of any scene. Supergrass Is 10 - The Best of 94-04 reminds us just how many catchy hits they had from their breakthrough Brit-Pop anthem 'Alright' to new single 'Kiss of Life'. In no particular order, the 21 songs here (including two new ones & an old B-side) cover catchy pop ('Alright', 'Grace', 'Sun Hits the Sky'), slick retro-rock ('Pumping on Your Stereo', 'Seen the Light', 'Going Out'), spikey punk-rock ('Caught by the Fuzz', 'Richard III', 'Lenny') & gentle acoustic numbers ('Moving', 'Late in the Day'). EMI. 2004.
Miley Cyrus makes a revival in this Disney+ documentary on her recent album Endless Summer Vacation.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
In ‘The Owl House’ protagonist Luz Noceda stumbles across a portal to another dimension where magic exists, called The Boiling Isles.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.