
A man operates a small real estate business near Osaka. A man from Tokyo asks for help in buying a large tract of land in order, he says, to build an automobile factory. But by accident the realtor learns that the Tokaido Railway Line is going to be built directly across the land just acquired. Also known as Black Super Express
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
The film is trying to revive DC's former glory, it really is, it just doesn't have everything it needs to get there. Luckily, Black Adam isn't as bad as many internet haters want you to think it is.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.