Is Disney Finally Learning?
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.

When the Earth's polar ice caps begin melting at a terrifying pace, the United Nations sends an expeditionary force to investigate... one that is completely destroyed by the vanguard of an invasion from beneath the Earth! As the whole planet watches in horror, the U.N.'s naval armada is crushed beneath the invaders' giant gravitonic rings! The nations of the world are helpless, but even as the enemy's giant cylinders encircle the globe, a secret organization of men and women being to mobilize a last ditch defense, a secret weapon built for, but never used in, World War II. After fifty years in hiding, the ultimate attack sub is finally going to get its baptism by fire... with the fate of all mankind hanging in the balance!
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
The Magician's Elephant has a strong multicultural cast and a heartwarming story about bringing two long-lost siblings back together
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York