Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Sunset to Sunrise poster

Sunset to Sunrise (1969)

Partially inspired by James J. Gibson's The Perception of the Visual World (Boston, 1950). Made by aiming a 16mm camera in a slow spiral across the sky. Unlike the aesthetic overfitting we find in much putatively hallucinatory art, Graham here reduces things to a usefully predictive basement reality: the alteration of one’s sense of time. A quote from Diedrich Diederichsen on Tony Conrad’s Yellow Movies might also be apt here: “In the early psychedelic avant-garde, if one wishes to save this word for once from its present reduction to a few formal motifs in pop music and poster design, there existed thus a very specific alliance between the critique of capitalism and mysticism that had to do, among other things, with an evocation of a different temporality.” Here, in one simple gesture.
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Partially inspired by James J. Gibson's The Perception of the Visual World (Boston, 1950). Made by aiming a 16mm camera in a slow spiral across the sky. Unlike the aesthetic overfitting we find in much putatively hallucinatory art, Graham here reduces things to a usefully predictive basement reality: the alteration of one’s sense of time. A quote from Diedrich Diederichsen on Tony Conrad’s Yellow Movies might also be apt here: “In the early psychedelic avant-garde, if one wishes to save this word for once from its present reduction to a few formal motifs in pop music and poster design, there existed thus a very specific alliance between the critique of capitalism and mysticism that had to do, among other things, with an evocation of a different temporality.” Here, in one simple gesture.

Rating:
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Directed By:Dan Graham
Written By:
In Theaters:1/1/1969
Box Office:

Runtime:4 minutes
Studio:

Cast

Director

Dan Graham

Director

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