Three vicious thugs are on the run in rural America after robbing a local bank. They seek refuge at the home of a reclusive farmer, but he is prepared for their arrival and holds them at gunpoint. Unable to let them simply wait for the law, he decides to take them into into his cellar and torture them a little before the police arrive.
Hoppers is a fun ride with a deep message underneath. In true Pixar fashion, Hoppers explores the complexity of emotions and learning to be still in a world that demands fast progress. Through the main character Mabel, we are reminded what it is like to let ourselves feel big emotions. But also how not to be controlled by them.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
'Hawkeye' episode five features Clint facing his sins, Kate having dinner with an assassin, and the reveal of the long-awaited [SPOILER].
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
