Sunday 7.P.M. 

Ever since the mid-’90s, the Mortal Kombat game franchise has seen multiple attempts to make it on the big screen, or at least adapted into other media.

In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.

Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.

Dora is the superhero we didn't know we needed.

In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.

“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.